51° 10' 48.7272'' N115° 33' 56.5344'' W
De la montaña al río
Fundación Gilberto Alzate.Encuentro: anhelos de observación y escucha. Bogotá, Colombia.
2019
Galería Elvira Moreno. In House. Bogotá, Colombia.
2019
National Scholarship Ministry of Culture Colombia.
Banff center, Canadá.
2015
"From the Mountain to the River" arises from an artistic creation residency in Banff National Park, Canada, the oldest in the country. The proposal explores the relationship between the river and the mountain, stating the ephemeral and constant transformation of mountains when in contact with water (at different temperatures), breaking rocks until they disappear in the current.
The images were created in watercolor; however, the stones had been bathed in diluted paint, and the water settled between the paper and the rocks left a trace that shaped the piece. These took on the essence and materiality of the cosmic: planets, mountains, puddles, and residues that on conservation label papers state a collection.
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2019
Galería Elvira Moreno. In House. Bogotá, Colombia.
2019
National Scholarship Ministry of Culture Colombia.
Banff center, Canadá.
2015
"From the Mountain to the River" arises from an artistic creation residency in Banff National Park, Canada, the oldest in the country. The proposal explores the relationship between the river and the mountain, stating the ephemeral and constant transformation of mountains when in contact with water (at different temperatures), breaking rocks until they disappear in the current.
The images were created in watercolor; however, the stones had been bathed in diluted paint, and the water settled between the paper and the rocks left a trace that shaped the piece. These took on the essence and materiality of the cosmic: planets, mountains, puddles, and residues that on conservation label papers state a collection.
“De la Montaña al Río” surge de una residencia de creación artística en el Parque Natural Nacional de Banff, Canadá, el más antiguo del país. La propuesta indaga la relación entre el río y la sierra, enunciando lo efímero y la transformación constante de las montañas al entrar en contacto con el agua (a diferentes temperaturas), quebrando las rocas hasta hacerlas desaparecer en la corriente.
Las imágenes fueron elaboradas en acuarela, no obstante, las piedras habían sido bañadas en pintura diluida, y el agua posada entre el papel y las rocas dejó una huella que fue conformando la pieza. Estas tomaron la esencia y la materialidad de lo cósmico: planetas, montañas, charcos y residuos que sobre los papeles de las etiquetas de conservación enuncian una colección.
